{"id":1129,"date":"2014-03-02T20:55:30","date_gmt":"2014-03-02T20:55:30","guid":{"rendered":"http:\/\/www.stueagon.com\/?page_id=1129"},"modified":"2017-01-14T07:17:46","modified_gmt":"2017-01-14T07:17:46","slug":"sight-sound-2012-2","status":"publish","type":"page","link":"http:\/\/www.stueagon.com\/?page_id=1129","title":{"rendered":"Sight &#038; Sound 2012"},"content":{"rendered":"<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.stueagon.com\/wp-content\/uploads\/2010\/02\/Monica-Vitti-playful.jpg\"><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1058\" src=\"http:\/\/www.stueagon.com\/wp-content\/uploads\/2010\/02\/Monica-Vitti-playful-300x249.jpg\" alt=\"Monica Vitti playful\" width=\"300\" height=\"249\" srcset=\"http:\/\/www.stueagon.com\/wp-content\/uploads\/2010\/02\/Monica-Vitti-playful-300x249.jpg 300w, http:\/\/www.stueagon.com\/wp-content\/uploads\/2010\/02\/Monica-Vitti-playful.jpg 780w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/a><\/span><\/p>\n<p><span style=\"color: #000000;\"><em>July 29, 2012<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">Every 10 years Sight &amp; Sound Magazine publishes the most reputable compilation of the greatest films of all time. The British Film Institute collects ballots from many of the most respected film scholars, critics and directors throughout the world, who are asked to create the impossible\u00e2\u20ac\u201da list of their top ten films of all time.<\/span><\/p>\n<p><span style=\"color: #000000;\">Most, who are asked, will try to create a list composed of ten films by ten different directors. I have chosen to do the same\u00e2\u20ac\u201dfocusing primarily on the directors who have had the greatest effect over my ideas on film and life. \u00c2\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\">The previous list was <a href=\"http:\/\/old.bfi.org.uk\/sightandsound\/polls\/topten\/\"><span style=\"color: #000000;\">published in 2002<\/span><\/a>; On August 1st, BFI announced its <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/polls-surveys\/greatest-films-all-time-2012\"><span style=\"color: #000000;\">launch dates for the list<\/span><\/a> which will be released gradually between August 3rd and August 22nd.<\/span><\/p>\n<p><span style=\"color: #000000;\">Since I am not actually voting in the poll I have created a list of 25 films\/directors\u00e2\u20ac\u201da &#8220;Top 10&#8221; and 15 &#8220;honorables&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\">Here are the films I selected:<\/span><\/p>\n<p><span style=\"color: #000000;\"> <em>L&#8217;eclisse (Michelangelo Antonioni, 1962)<br \/>\n2001: A Space Odyssey (Stanley Kubrick, 1968)<br \/>\nThe Thin Red Line (Terrence Malick, 1998)<br \/>\nBlade Runner (Ridley Scott, 1982)<br \/>\nLast Year at Marienbad (Alain Resnais, 1961)<br \/>\nWings of Desire (Wim Wenders, 1987)<br \/>\nTwo or Three Things I Know About Her&#8230; (Jean-Luc Godard, 1967)<br \/>\nAguirre: the Wrath of God (Werner Herzog, 1972)<br \/>\nWoman in the Dunes (Hiroshi Teshigahara, 1964)<br \/>\nThe Gospel According to St. Matthew (Pier Paolo Pasolini, 1964)<br \/>\n<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">with apologies to:<\/span><\/p>\n<p><span style=\"color: #000000;\"><em>The Mirror (Andrei Tarkovsky, 1975)<\/em><\/span><br \/>\n<span style=\"color: #000000;\"> <em> Three Colors: Blue (Krzystof Kieslowski, 1993)<\/em><\/span><br \/>\n<span style=\"color: #000000;\"> <em>La Jet\u00c3\u00a9e (Chris Marker, 1962)<\/em><em><br \/>\nAmadeus (Milos Forman, 1984)<br \/>\nPlaytime (Jacques Tati, 1967)<br \/>\nThe Passion of Anna (Ingmar Bergman, 1969)<br \/>\nThere Will Be Blood (Paul Thomas Anderson, 2007)<br \/>\nTokyo Olympiad (Kon Ichikawa, 1965)<br \/>\nCul-de-sac (Roman Polanski, 1966)<br \/>\nThe Godfather (Francis Ford Coppola, 1972)<br \/>\nThe Passion of Joan of Arc (Carl Theodor Dreyer, 1928)<br \/>\nZelig (Woody Allen, 1983)<br \/>\nVertigo (Alfred Hitchcock, 1958)<br \/>\nSecret Honor (Robert Altman, 1984)<br \/>\nBaraka (Ron Fricke, 1992)<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>July 29, 2012 Every 10 years Sight &amp; Sound Magazine publishes the most reputable compilation of the greatest films of all time. The British Film Institute collects ballots from many of the most respected film scholars, critics and directors throughout the world, who are asked to create the impossible\u00e2\u20ac\u201da list of their top ten films [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1129","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.stueagon.com\/index.php?rest_route=\/wp\/v2\/pages\/1129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.stueagon.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.stueagon.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.stueagon.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.stueagon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1129"}],"version-history":[{"count":0,"href":"http:\/\/www.stueagon.com\/index.php?rest_route=\/wp\/v2\/pages\/1129\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.stueagon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}